Academic
Film and media industries analysis
Refereed Articles
Douglas, James. “Leaving home: Kennedy Miller in Melbourne.” Senses of Cinema 85 (December 2017): 1-1. ISSN: 1443-4059.
Douglas, James. “Kennedy Miller and the Relationality of Australian Cinema: Global Film Practice in Australia.” Studies in Australasian Cinema (2021). DOI: 10.1080/17503175.2021.1921405
Douglas, James. “Entrepreneurial Navigation of the Australian Screen Industries: The Case of Dr D Studios.” Media International Australia (2021). DOI: https://doi.org/10.1177/1329878X211040130
Douglas, James. “Autonomy and Independence in Screen Production Under State Subsidy: Tracing Kennedy Miller Mitchell’s Negotiated Dependencies with Australian Governments.” Media Industries (2021). DOI: https://doi.org/10.3998/mij.118
Scarlata, Alexa, Douglas, James and Lobato, Ramon. "Subscription video-on-demand (SVOD) original production in Australia: Evolution or revolution?” Media International Australia (2022). DOI: https://doi.org/10.1177/1329878X221127083
Kannas, Alexia, Douglas, James and Thompson, James. “Gazing or glancing? Mapping student engagement when film studies moves online.” Convergence: The International Journal of Research into New Media Technologies (2022). DOI: https://doi.org/10.1177/13548565221148102
Lobato, Ramon, Douglas, James, Scarlata, Alexa, and Cunningham, Stuart. “Cultural policy between television and digital platforms: the case of SVOD regulation in Australia.” International Journal of Cultural Policy (2023). DOI: https://doi.org/10.1080/10286632.2022.2160715
Douglas, James. “George Miller’s ‘Old-Fashioned Hollywood Studio’ – Corporate Authorship at Kennedy Miller, 1981-1991” (forthcoming at New Review of Film and Television Studies, 2024).
Non-refereed Articles and Reviews
Douglas, James. “No exit: regional Australian atrophy in Kyle Davis’ Dry Winter.” Metro, no. 210 (November 2021): https://metromagazine.com.au/no-exit/
Douglas, James. “Moving forward in circles: repetition and reflection in Hong Sang-soo’s Grass.” Metro, no. 201 (August 2019): 64-69.
Douglas, James. “Live transmission: revisiting The Truman Show in a panoptic world.” Screen Education, no. 92 (March 2019): 62-69.
Douglas, James. “It’s still life: Abbas Kiarostami’s 24 Frames.” Metro, no. 197 (2018): 64-67.
Douglas, James. “Cutting through the chanbara film: Takashi Miike’s Blade of the Immortal,” Metro, no. 196 (2018): 58-63.
Douglas, James. “Players on the stage: Asghar Farhadi’s The Salesman.” Metro, no. 192 (2017): 46-51.
Douglas, James. “Great Directors: George Miller.” Senses of Cinema, no. 83 (June 2017).
Douglas, James. “Phase change: Apichatpong Weerasethakul’s Cemetery of Splendour.” Metro, no. 188 (Autumn 2016): 60-65.
Douglas, James. “Journeying westward: Jia Zhang-ke’s Mountains May Depart.” Metro, no. 187 (Summer 2016): 82-85.
Douglas, James. “Stunted growth: Kasimir Burgess’ Fell.” Metro, no. 183 (Summer 2015): 34-39.
Douglas, James. “Some Doors into Koker.” Fireflies, no.2 (2015).